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Max says that “we were much less restricted and can improvise a lot more now
but his close relationship with producer and Atlanta native Johnny Brantley eventually saw him getting his own break via a series of 45s in 1967 – most notably with covers of Joe Simon’s “My Adorable One”
inspired artist
Whilst the album still parades the enchanting blind optimism of earlier Unity Floors recordings
The ache of doomed ambition
PLANNING FOR BURIAL - Below the House LP (colour vinyl) folk Max says that “we wereLimited edition Jaundice Yellow colour vinyl. In late 2014, Planning For Burials Thom Wasluck left the red house in New Jersey hed called home for the last decade to return to his childhood bedroom in the mountains of Pennsylvania. Back in the house where he grew up, Wasluck found himself cut off from the familiarities of the previous decade as he put himself to work in the family trade. The monotony of routine quickly set in; work, home, and alcohol
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